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https://w.atwiki.jp/hmiku/pages/8977.html
【検索用 LegalGame 登録タグ 2010年 L VOCALOID 巡音ルカ 曲 曲英 青幇P】 + 目次 目次 曲紹介 歌詞 コメント 作詞：青幇P 作曲：青幇P 編曲：青幇P 唄：巡音ルカ 曲紹介 曲名：『Legal Game』(りーがる げーむ) サムネはフェルメール「天秤を持つ女」、絵中の花はルドベキア。花言葉は公平、正義。 クールなルカうた 歌詞 （PAPROより転載） Fascist, anarchist or terrorist and racist (ファシスト、無政府主義者、或いはテロリスト、そして差別主義者) Priest suggest resist to Christ (司祭は神に反逆せよと囁く) Look at your feet Can you stand straight? (足下を見てみなさい 真っ直ぐに立てますか？) We can stand 'cause ground was hardened with blood (私達が立てるのは、大地が血で固められたからなのです) スラムの路地裏の壁に 書かれてそうな落書き歌うようなものさ ルドベキアと庭師を 誰が殺したの？ 真っ新なその庭に 何を植える為に？ 黙示録のスコアは 誰が殺せるんだ？ G線を這う弓を立てて 矢を番えるのは？ It's time for a change (変革の刻だ) Deeds, not words (言葉ではなく、行動で示せ) You are witnesses of these things (あなた方はこれらの事の証人である) 願いは花のように儚い だけど何もせず黙ってて 何が変わる？ ルドベキアと庭師は 見捨てられたんだ 助けを信じて待ち そして力尽きた 黙示録のスコアは 次の楽章へ G線を這う弓は奏で始める 鎮魂曲を 何を恐れて 何処へ逃げるの？ 何が欲しくて 何を捨てるの？ ……こんな話、身勝手かな？ けどそれでも 願わくば、目を逸らさないで見ててほしい もうすぐ夜が明けて 全てが見えた時 私達は問われる 何を選ぶのかを ルドベキアと庭師は 二度と帰らない 真っ新なその庭に 誰が何を植える？ Who's laughing last? All is very funny farce... （最後に嗤うのは誰？ 全ては、とても愉快な茶番劇……） コメント 名前 コメント コメントを書き込む際の注意 コメント欄は匿名で使用できる性質上、荒れやすいので、 以下の条件に該当するようなコメントは削除されることがあります。 コメントする際は、絶対に目を通してください。 暴力的、または卑猥な表現・差別用語（Wiki利用者に著しく不快感を与えるような表現） 特定の個人・団体の宣伝または批判 （曲紹介ページにおいて）歌詞の独自解釈を展開するコメント、いわゆる“解釈コメ” 長すぎるコメント 『歌ってみた』系動画や、歌い手に関する話題 「カラオケで歌えた」「学校で流れた」などの曲に直接関係しない、本来日記に書くようなコメント カラオケ化、カラオケ配信等の話題 同一人物によると判断される連続・大量コメント Wikiの保守管理は有志によって行われています。 Wikiを気持ちよく利用するためにも、上記の注意事項は守って頂くようにお願いします。
https://w.atwiki.jp/ce00582/pages/3615.html
import java.awt.*; import java.awt.event.*; class game0423 extends Frame implements Runnable{ double x,y,z; double rx,ry; double x1,x2,x3,y1,y2,y3; double px[][][]=new double[2][2][2]; double py[][][]=new double[2][2][2]; int m1,m2,m3; int t; public static void main(String [] args) { Frame f=new game0423(); f.setTitle("game0423"); f.setSize(700,700); f.setBackground(Color.yellow); f.setVisible(true); } game0423(){ Thread th=new Thread(this); th.start(); addWindowListener(new stopwin()); } class stopwin extends WindowAdapter{ public void windowClosing(WindowEvent we){System.exit(0);} } public void run(){ t=0; while(t 10){ for (m1=0;m1 2;m1++){ for (m2=0;m2 2;m2++){ for (m3=0;m3 2;m3++){ x=10*t+100+m1*100; y=10*t+100+m2*100; z=10*t+100+m3*100; rot(x,y,z); px[m1][m2][m3]=rx; py[m1][m2][m3]=ry; } } } repaint(); try{ Thread.sleep(1000); }catch(InterruptedException e){} t=t+1; } repaint(); } public void paint(Graphics g){ int gx1,gy1,gx2,gy2,gx3,gy3,gx4,gy4; int xx[]=new int[4]; int yy[]=new int[4]; xx[0]=seekgx(px[0][0][0]); yy[0]=seekgy(py[0][0][0]); xx[1]=seekgx(px[1][0][0]); yy[1]=seekgy(py[1][0][0]); xx[2]=seekgx(px[1][1][0]); yy[2]=seekgy(py[1][1][0]); xx[3]=seekgx(px[0][1][0]); yy[3]=seekgy(py[0][1][0]); g.drawPolygon(xx,yy,4); xx[0]=seekgx(px[0][0][1]); yy[0]=seekgy(py[0][0][1]); xx[1]=seekgx(px[1][0][1]); yy[1]=seekgy(py[1][0][1]); xx[2]=seekgx(px[1][1][1]); yy[2]=seekgy(py[1][1][1]); xx[3]=seekgx(px[0][1][1]); yy[3]=seekgy(py[0][1][1]); g.drawPolygon(xx,yy,4); } public int seekgx(double x){ return (int)(100+x); } public int seekgy(double y){ return (int)(400-y); } public void rot(double x,double y,double z){ double theta,phi; double a1,a2,a3,a4; theta = -40*Math.PI/180; phi=60*Math.PI/180; a1=Math.cos(theta); a2=Math.sin(theta); a3=Math.cos(phi); a4=Math.sin(phi); rx=-a2*x+a1*y; ry=-a1*a4*x-a2*a3*y+a4*z; } }
https://w.atwiki.jp/xbox360score/pages/1727.html
Game Room - Asteroids Deluxe 項目数：10 総ポイント：200 ☆Windows Phone7用タイトル Velocity Gamer Travel at over 35 mph (55 km/h) while playing a game 20 Keep It Moving Travel 2/3 mile (1 km) while playing a single play session of the game 10 Retro Roadie Travel an accumulated distance of 6 miles (10 km) while playing the game 5 Get The Ball Rolling Win your first medal 10 Across The Board Win a medal of each type 20 Gold Rush Win 3 gold medals 30 Unidentified Flying Object Shoot down 10 UFOs (including Killer Satellites) in ranked mode 30 秘密の実績 Try Try Again Surpassed your own leaderboard score 3 times 10 Shaking Things Up Played using tilt controls 20 Credit Where Credit Is Due Watched the credits in full 20
https://w.atwiki.jp/bubublender/pages/23.html
Game
https://w.atwiki.jp/rinn-eng/pages/4.html
game
https://w.atwiki.jp/ce00582/pages/3143.html
import java.awt.*; import java.awt.event.*; class game08 extends Frame implements Runnable{ int px,py; int ix,iy; int m,n; int z[][]=new int[11][11]; int mode; public static void main(String [] args) { Frame f=new game08(); f.setTitle("game08"); f.setSize(700,700); f.setBackground(Color.yellow); f.setVisible(true); } game08(){ Thread th=new Thread(this); th.start(); addWindowListener(new stopwin()); } class stopwin extends WindowAdapter{ public void windowClosing(WindowEvent we){System.exit(0);} } public void run(){ int t,coin; int ix1,ix2,ix3,ix4; int iy1,iy2,iy3,iy4; int z1,z2,z3,z4; int minz,minx,miny; int j; for (m=1;m 11;m++){ for (n=1;n 11;n++){ z[m][n]=1; } } px=1; py=1; ix=10; iy=10; t=1; mode=0; while(mode 100){ ix1=ix+1; iy1=iy; ix2=ix-1; iy2=iy; ix3=ix; iy3=iy+1; ix4=ix; iy4=iy-1; z1=(ix1-px)*(ix1-px)+(iy1-py)*(iy1-py); z2=(ix2-px)*(ix2-px)+(iy2-py)*(iy2-py); z3=(ix3-px)*(ix3-px)+(iy3-py)*(iy3-py); z4=(ix4-px)*(ix4-px)+(iy4-py)*(iy4-py); minz=999; minx=0; miny=0; if (z1 minz)minx=ix1; if (z1 minz)miny=iy1; if (z1 minz)minz=z1; if (z2 minz)minx=ix2; if (z2 minz)miny=iy2; if (z2 minz)minz=z2; if (z3 minz)minx=ix3; if (z3 minz)miny=iy3; if (z3 minz)minz=z3; if (z4 minz)minx=ix4; if (z4 minz)miny=iy4; if (z4 minz)minz=z4; ix=minx; iy=miny; coin=(int)(4*Math.random())+1; if (coin==1)px=px+1; if (coin==2)px=px-1; if (coin==3)py=py+1; if (coin==4)py=py-1; if (px 1)px=1; if (px 10)px=10; if (py 1)py=1; if (py 10)py=10; j=0; if(px==ix)j=j+1; if(py==iy)j=j+1; if(j==2)mode=300; z[px][py]=0; repaint(); try{ Thread.sleep(100); }catch(InterruptedException e){} t=t+1; if (t 100)mode=200; } repaint(); } public void paint(Graphics g){ if (mode 100)g.fillRect(100+50*px,100+50*py,50,50); if (mode 100)g.fillOval(100+50*ix,100+50*iy,30,30); for (m=1;m 11;m++){ for (n=1;n 11;n++){ if (z[m][n]==1)g.fillRect(100+50*m,100+50*n,10,10); } } if (mode==200)g.drawString("time over",300,50); if (mode==300)g.drawString("game over",300,50); } }
https://w.atwiki.jp/oper/pages/1462.html
第2節 【ゲロンティアスの魂】 私は寝入り、そして元気を回復しました。 奇妙な感じの回復です。 私の中に表現しようのない軽さを感じるのです、 自由になったような感覚、やっと自分自身になったような感覚、こんな感覚は以前に一度もありません。何と静かなのでしょう。もはやせわしない時の刻みも聞こえず、 不規則な呼吸も、もがく鼓動すら聞こえません。 ある瞬間と次の瞬間との差がまったくないのです。 I had a dream; yes — someone softly said “He’s gone;” and then a sigh went round the room. And then I surely heard a priestly voice Cry “Subvenite;” and they knelt in prayer. I seem to hear him still; but thin and low, And fainter and more faint the accents come, As at an ever-widening interval. Ah whence is this? What is this severance? この静寂は私の魂の真髄に 孤独を注ぎます。 そして、深い休息は、気持ちが静まり、心地よいと同時に 厳格さと苦痛を伴っています。 For it drives back my thoughts upon their spring By a strange introversion, and perforce I now begin to feed upon myself, Because I have nought else to feed upon. Am I alive or dead? I am not dead, But in the body still; for I possess A sort of confidence which clings to me, That each particular organ holds its place As heretofore, combining with the rest Into one symmetry that wraps me round, And makes me man; and surely I could move, Did I but will it, every part of me. And yet I cannot to my sense bring home, By very trial, that I have the power. ‘Tis strange; I cannot stir a hand or foot, I cannot make my fingers or my lips By mutual pressure witness each to each, Nor by the eyelid’s instantaneous stroke Assure myself I have a body still. Nor do I know my very attitude, Nor if I stand, or lie, or sit, or kneel. So much I know, not knowing how I know, That the vast universe, where I have dwelt, Is quitting me, or I am quitting it. Or I or it is rushing on the wings Of light or lightning on an onward course, And we e en now are million miles apart. Yet… is this peremptory severance Wrought out in lengthening measurements of space, Which grow and multiply by speed and me? Or am I traversing infinity By endless subdivision, hurrying back From finite towards infinitesimal, Thus dying out of the expansed world? さらに不思議なことに、私は誰かのしっかりとした 大きな手のひらの中にいるのです。 ‘tis not a grasp Such as they use on earth, but all around Over the surface of my subtle being, As though I were a sphere, and capable To be accosted thus, 均一でゆるやかな圧力によってわかります、 私は自分で動いているのではなく、前方に運ばれているのが。 そして、聞きなさい、甘美な歌声を。 私はその音楽を、聞いているのか、触れているのか、 感じているのか、はっきりしません。 何と気持ちの安らぐ旋律なのでしょう。 【天使】 私の仕事は済みました、 私の務めは終わりました、 それを家に連れ帰るために来ました。 王冠がとこしえに得られたからです。 アレルヤ。 私の父は、この地上の子を その生誕から私に引き渡しました、 仕えそして救うためにです。そして彼は救われました。 アレルヤ。 この土から生まれた子が 私に与えられました、 悲しみと苦痛で育て 訓練するために、 地から天にかけられている 狭い道の中で。 アレルヤ。 【魂】 あれは、すばらしい人々からなる、あの一族の一人、 世界が作られるよりも前に、 何百万年も昔に、 神の王座の周りに立っていた人々（の一族）。 —he never has known sin; But through those cycles all but infinite, Has had a strong and pure celestial life, And bore to gaze on th’ unveiled face of God And drank from the eternal Fount of truth, And served Him with a keen ecstatic love, Hark! he begins again. 【天使】 O LORD, how wonderful in depth and height, But most in man, how wonderful Thou art! With what a love, what soft persuasive might Victorious o’er the stubborn fleshly heart, Thy tale complete of saints Thou dost provide, To fill the thrones which angels lost through pride! He lay a groveling babe upon the ground, Polluted in the blood of his first sire, With his whole essence shattered and unsound, And, coiled around his heart, a demon dire, Which was not of his nature, but had skill To bind and form his opening mind to ill. Then was I sent from heaven to set right The balance in his soul of truth and sin, And I have waged a long relentless fight, Resolved that death-environed spirit to win, Which from its fallen state, when all was lost, Had been repurchased at so dread a cost. O what a shifting parti-coloured scene Of hope and fear, of triumph and dismay, Of recklessness and penitence, has been The history of that dreary, lifelong fray! And 0 the grace to nerve him and to lead, How patient, prompt, and lavish at his need! O man, strange composite of heaven and earth! Majesty dwarfed to baseness! Fragrant flower Running to poisonous seed! and seeming worth Cloking corruption! weakness mastering power! Who never art so near to crime and shame, As when thou hast achieved some deed of name. How should ethereal natures comprehend A thing made up of spirit and of clay, Were we not tasked to nurse it and to tend, Linked one to one throughout its mortal day? More than the Seraph in his height of place, The Angel-guardian knows and loves the ransomed race. 【魂】 NOW know I surely that I am at length Out of the body had I part with earth, I never could have drunk those accents in, And not have worshipped as a god the voice That was so musical; but now I am So whole of heart, so calm, so self-possessed, With such a full content, and with a sense So apprehensive and discriminant, As no temptation can intoxicate. Nor have I ever terror at the thought That I am clasped by such a saintliness. 【天使】 ALL praise to Him, at whose sublime decree The last are first, the first become the last; By whom the suppliant prisoner is set free, By whom proud first-borns from their thrones are cast; Who raises Mary to be Queen of heaven, While Lucifer is left, condemned and unforgiven. SECOND PHASE SOUL OF GEROINTIUS I WENT to sleep; and now I am refreshed. A strange refreshment For I feel in me an inexpressive lightness, And a sense of freedom, as I were at length myself And ne’er had been before. How still it is! I hear no more the busy beat of time, No, nor my fluttering breath, nor struggling pulse; Nor does one moment differ from the next. I had a dream; yes — someone softly said “He’s gone;” and then a sigh went round the room. And then I surely heard a priestly voice Cry “Subvenite;” and they knelt in prayer. I seem to hear him still; but thin and low, And fainter and more faint the accents come, As at an ever-widening interval. Ah whence is this? What is this severance? This silence pours a solitariness Into the very essence of my soul; And the deep rest, so soothing and so sweet, Hath something too of sternness and of pain. For it drives back my thoughts upon their spring By a strange introversion, and perforce I now begin to feed upon myself, Because I have nought else to feed upon. Am I alive or dead? I am not dead, But in the body still; for I possess A sort of confidence which clings to me, That each particular organ holds its place As heretofore, combining with the rest Into one symmetry that wraps me round, And makes me man; and surely I could move, Did I but will it, every part of me. And yet I cannot to my sense bring home, By very trial, that I have the power. ‘Tis strange; I cannot stir a hand or foot, I cannot make my fingers or my lips By mutual pressure witness each to each, Nor by the eyelid’s instantaneous stroke Assure myself I have a body still. Nor do I know my very attitude, Nor if I stand, or lie, or sit, or kneel. So much I know, not knowing how I know, That the vast universe, where I have dwelt, Is quitting me, or I am quitting it. Or I or it is rushing on the wings Of light or lightning on an onward course, And we e en now are million miles apart. Yet… is this peremptory severance Wrought out in lengthening measurements of space, Which grow and multiply by speed and me? Or am I traversing infinity By endless subdivision, hurrying back From finite towards infinitesimal, Thus dying out of the expansed world? Another marvel; someone has me fast Within his ample palm; ‘tis not a grasp Such as they use on earth, but all around Over the surface of my subtle being, As though I were a sphere, and capable To be accosted thus, A uniform and gentle pressure tells me I am not self-moving, but borne forward on my way. And hark! I hear a singing; yet in sooth I cannot of that music rightly say Whether I hear or touch or taste the tones. Oh what a heart-subduing melody! ANGEL My work is done, My task is o’er, And so I come, Taking it home, For the crown is won, for evermore. Alleluia. My Father gave In charge to me This child of earth e’en from its birth, To serve and save, and saved is he. Alleluia. This child of clay To me was given, To rear and train By sorrow and pain In the narrow way, From earth to heaven. Alleluia. SOUL It is a member of that family of wondrous beings, who, ere the worlds were made, Millions of ages back, have stood around The throne of God —he never has known sin; But through those cycles all but infinite, Has had a strong and pure celestial life, And bore to gaze on th’ unveiled face of God And drank from the eternal Fount of truth, And served Him with a keen ecstatic love, Hark! he begins again. ANGEL O LORD, how wonderful in depth and height, But most in man, how wonderful Thou art! With what a love, what soft persuasive might Victorious o’er the stubborn fleshly heart, Thy tale complete of saints Thou dost provide, To fill the thrones which angels lost through pride! He lay a groveling babe upon the ground, Polluted in the blood of his first sire, With his whole essence shattered and unsound, And, coiled around his heart, a demon dire, Which was not of his nature, but had skill To bind and form his opening mind to ill. Then was I sent from heaven to set right The balance in his soul of truth and sin, And I have waged a long relentless fight, Resolved that death-environed spirit to win, Which from its fallen state, when all was lost, Had been repurchased at so dread a cost. O what a shifting parti-coloured scene Of hope and fear, of triumph and dismay, Of recklessness and penitence, has been The history of that dreary, lifelong fray! And 0 the grace to nerve him and to lead, How patient, prompt, and lavish at his need! O man, strange composite of heaven and earth! Majesty dwarfed to baseness! Fragrant flower Running to poisonous seed! and seeming worth Cloking corruption! weakness mastering power! Who never art so near to crime and shame, As when thou hast achieved some deed of name. How should ethereal natures comprehend A thing made up of spirit and of clay, Were we not tasked to nurse it and to tend, Linked one to one throughout its mortal day? More than the Seraph in his height of place, The Angel-guardian knows and loves the ransomed race. SOUL NOW know I surely that I am at length Out of the body had I part with earth, I never could have drunk those accents in, And not have worshipped as a god the voice That was so musical; but now I am So whole of heart, so calm, so self-possessed, With such a full content, and with a sense So apprehensive and discriminant, As no temptation can intoxicate. Nor have I ever terror at the thought That I am clasped by such a saintliness. ANGEL ALL praise to Him, at whose sublime decree The last are first, the first become the last; By whom the suppliant prisoner is set free, By whom proud first-borns from their thrones are cast; Who raises Mary to be Queen of heaven, While Lucifer is left, condemned and unforgiven. Elgar,Edward/The Dream of Gerontius/III
https://w.atwiki.jp/gametext/pages/23.html
The Incredible Adventures of Van Helsing 公式サイト http //www.facebook.com/VanHelsingTheGame https //twitter.com/#!/VanHelsingGame YouTube検索 4game http //www.4gamer.net/games/156/G015645/ PICKUP
https://w.atwiki.jp/prdj/pages/2757.html
Pathfinder Adventure Path #54 The Empty Throne Chapter 6 "The Empty Throne" 著者 Neil Spicer ミンカイ帝国では、異質なオニの主の絆を捨てるために人々が武器を手に取り革命が起ころうとしている。民衆は決起すると、英雄たちは帝国の首都、カサイの古代の街を包囲する。そこで彼らは過去の皇帝の秘密を発見し、永遠なる存在の助けを求めなければならない。そうして仲間全員を集め殺意のある翡翠摂政の砦に最後の攻撃を行うことができる。英雄とその仲間は軍の専制政治に終止符を打つことができるのだろうか？あるいはミンカイは真なる悪に閉じ込められたままなのだろうか？運命の力に立ち向かい、Jade Regent Adventure Pathのエキサイティングな最終章であるこの国の運命を形作ろう。 このパスファインダー・アドベンチャー・パス含まれているのは： “The Empty Throne”、 13レベル用パスファインダーRPGシナリオ、著者 Neil Spicer 神秘の国ミンカイの首都Kasaiについて、著者Frank Carr、Michael Tumey Jade Regentのキャンペーンを継続し高レベルでも遊ぶためには、著者 Patrick Renie Pathfinder’s Journalは欺瞞と啓示について、著者Dave Gross Jesse Benner、Tork Shaw、Owen K.C. Stephensによる4種の新モンスター パスファインダー・アドベンチャー・パスは、フルカラー・ソフトカバーで月刊誌である。各巻は、詳細な冒険シナリオ、数種の新モンスターのデータ、ゲーム・マスターにそのキャンペーンを拡張させる追加データを提供するサポート記事を含む。パスファインダー・アドベンチャー・パスはOpen Game Licenseを使用し、パスファインダーRPGと世界で最も古いファンタジーRPGの双方でプレイすることができる。 ISBN–13 978-1-60125-400-9 Brinewall Legacyはパスファインダー協会加盟プレイで使用することが認められている。このAdventure PathとChronicle sheetで使用可能なルールは free downloadとして利用可能である(532 KB zip/PDF)。 カテゴリ：Pathfinder Adventure Path │ 製品リスト
https://w.atwiki.jp/swg_tcg/pages/14.html
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